N E W S L E T T E R

Daniel Niedermeier | Jan Staiger
Simili Modo

A model for equine intubation at Hanover’s University of Veterinary Medicine, a RealCare baby for teenagers to have an “authentic” parenthood experience at the Swiss University of Fribourg, the Bilster Berg racing and testing track: in illusory worlds and laboratories, reality is put to the test. Avoiding defects is the highest priority. As isolated systems, these worlds mimic natural laws and are interfaces between naturality and modification. The photographic display functions as a further duplicate that again suggests a vague concept of reality to viewers. It serves as a reference to these constantly changing picture worlds and acquired seeing habits. The spectrum of these imitations runs through various realms of society: in the areas of industry, security, medicine and entertainment, the course is being set for changes whose effects will long remain unperceived.

  • Artificiality
  • Optimisation
  • Surface
3 Questions
1. The door opener: Can you describe a formative moment in your career as visual journalists?

Even while we were planning “simili modo”, we were developing a detailed theoretical concept. So it was clear to both of us right from the start how we imagined the visual depiction of the objects and places. Since both the specific imagery and working as a duo in itself were new territory for us, we first wondered whether we could maintain both the aesthetics and the joint working practices for the entire time. One of the most defining moments was doubtless after the first two photos, when we realised that we were seeing our own expectations confirmed and that future continuity was conceivable.

2. The decisive moment: When did you first encounter your topic and why did you decide to cover it photographically?

The decision to devote ourselves to one subject together first arose from our close friendship and mutual trust, which we see as the foundation for working as a duo even now. Building on this foundation, it soon became clear that we wanted to use our complementary competences and personalities to dare to address the wide-ranging phenomenon of the reconstruction of reality, whose extent and ubiquity can hardly be understood.

3. The future: What could the visual journalism of the future be like?

In the democratisation of the medium of photography and the evergrowing demand for authenticity, media creators like us have the possibility to take a step back if necessary and view our own authorship as the only possible position. Even more, the future could be about making it possible for protagonists to be co-authors and, if needed, taking on a collectivising, curatorial function, for instance in viewing unfamiliar material, research and contextualisation.

Curated by Martin Albermann

© for all photos by the photographers
© for all videos Lumix Festival Hanover, if not indicated otherwise.

*1993 in Freiburg im Breisgau, Germany
Daniel Niedermeier and Jan A. Staiger started studying Photojournalism and Documentary Photography at Hanover University of Applied Sciences and Arts at the same time in 2016. Their joint long-term project “simili modo” was distinguished at the German Youth Photo Prize and the Hahnemühle Student Photography Competition.

www.danielniedermeier.de
@daniel_niedermeier

*1995 in Nuremberg, Germany
Daniel Niedermeier and Jan A. Staiger started studying Photojournalism and Documentary Photography at Hanover University of Applied Sciences and Arts at the same time in 2016. Their joint long-term project “simili modo” was distinguished at the German Youth Photo Prize and the Hahnemühle Student Photography Competition.

www.janstaiger.com
@janstaiger

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